How to Improve Your Writing Skills with AI in 2026
Search "how to improve your writing" and you will find listicles telling you to "read more" and "practice daily." True. Also useless. You already know you should read more. The question is what to do differently when you sit down to write.
The best writing teachers - George Orwell, Verlyn Klinkenborg, William Zinsser, Anne Lamott - spent decades answering that question. Their advice is specific, actionable, and backed by the work they produced. AI did not exist when they wrote their books. But their principles explain exactly why AI helps some writers improve and makes others worse.
A joint study by MIT, Wellesley, and Massachusetts College of Art found that writers who draft first and then use AI to revise show increased brain activity
- higher than writers who never use AI at all. Writers who let AI generate from scratch show decreased brain activity. The order matters. Draft first. AI second. That is the principle behind every tip in this post.
Here are ten ways to improve your writing, rooted in craft and accelerated by AI when used correctly.
1. Write More (Quantity Breeds Quality)
The most reliable path to better writing is more writing. Not better writing. More writing. Quantity produces quality because every sentence is a rep. Every paragraph is practice. You cannot think your way to good prose. You have to write your way there.
Lamott makes this point in Bird by Bird. She tells her students to write terrible first drafts. The goal is not to produce something good. The goal is to produce something. Anything. The good version comes later, in revision. But it cannot come at all if you never write the bad version first.
This is where AI tempts you in the wrong direction. If you use AI to generate a first draft, you skip the reps. You skip the hundreds of small decisions - this word, not that one - that build your instincts over time. Use AI after you write. Never instead of writing.
2. Read Your Work Aloud
Your ear catches problems your eye skips. Awkward rhythms. Repeated words. Sentences that run too long. When you read silently, your brain autocorrects. When you read aloud, the problems announce themselves.
Klinkenborg insists on this in Several Short Sentences About Writing. He says every sentence should be able to stand on its own. Reading aloud tests that. If you stumble over a sentence, the sentence is broken. Fix it or cut it.
AI editing tools can flag readability issues. But they cannot hear your voice. They do not know your rhythm. Reading aloud is the one editing technique no tool can replace. Build it into your process. Every draft. Every time.
3. Cut Ruthlessly
Zinsser says most first drafts can lose 50% of their words without losing any meaning. Half. Think about that. Half of what you write in a first draft is padding, repetition, or throat-clearing. The skill is not adding words. It is removing them.
Look for these patterns. Sentences that restate the previous sentence. Adverbs propping up weak verbs ("ran quickly" becomes "sprinted"). Introductory phrases that delay the point ("It is important to note that" becomes nothing). Paragraphs that exist because you were still figuring out what you wanted to say.
AI is genuinely useful here. Ask it to tighten a paragraph. It will find redundancies you missed. But review every cut. Sometimes what looks redundant to an algorithm carries emotional weight or rhythm that matters. The decision to cut or keep is yours. That decision is where craft lives.
4. Use Active Voice
Orwell's Rule 4 from "Politics and the English Language" says: never use the passive where you can use the active. Passive voice hides the actor. "Mistakes were made" tells you nothing. "I made a mistake" tells you everything.
Active voice is shorter, clearer, and more honest. It forces you to name who did what. Politicians use passive voice to avoid responsibility. Academics use it to sound objective. AI uses it because it has no actor to name. When you write in active voice, your prose immediately gets stronger.
Search your draft for "was," "were," "been," and "by." Not every instance is passive. But most passive sentences contain one of those words. Rewrite the passive ones. Name the actor. Make the sentence do something.
5. Kill Cliches
Orwell's Rule 1: never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Cliches are pre-assembled phrases. They save you the trouble of thinking about what you actually mean. That is exactly why they weaken your writing.
"At the end of the day." "Think outside the box." "A game-changer." "Low-hanging fruit." These phrases arrive in your mind already formed. They feel easy because they require no thought. Orwell's point is that if you are not choosing your own words, you are not thinking your own thoughts.
AI makes this problem worse. Language models predict the most probable next word. The most probable phrases are, by definition, the most common ones. Cliches are statistically favored. If you accept AI suggestions without filtering, your prose fills with dead metaphors. Read every suggestion. Ask: have I seen this phrase a hundred times before? If yes, reject it. Write something specific instead.
6. Write Short Sentences
Klinkenborg's entire book is an argument for short sentences. Not simple sentences. Short ones. There is a difference. A short sentence can carry a complex idea. A long sentence often carries a simple idea buried under qualifiers.
Long sentences happen when you are unsure of your point. You add clauses to cover every angle. You hedge. You qualify. The sentence grows because you are still thinking. Short sentences require you to know what you mean before you write. That is harder. It is also better.
Try this exercise. Take a paragraph you wrote and break every sentence that has a comma into two sentences. Some will sound choppy. Recombine those. But many will sound stronger. You will find that the comma was hiding two ideas pretending to be one. Separating them makes both clearer.
7. Draft Messy
Lamott calls it the "shitty first draft." Give yourself permission to write badly. The inner critic that stops you from writing a bad sentence also stops you from writing a good one. Perfectionism is not a quality standard. It is a productivity killer.
The first draft is just you talking to yourself. Getting the ideas out. Finding what you actually want to say. It is supposed to be messy. The mess is the raw material. Revision turns it into something worth reading.
This is the strongest argument against using AI to generate first drafts. The mess is where the thinking happens. When you struggle to find the right word, you clarify your thinking. When AI gives you a clean sentence instantly, that struggle never happens. You get polish without depth. Write the mess yourself. Clean it up with AI later.
8. Use AI as Your Editor, Not Your Writer
The MIT study is clear. Writers who draft first and use AI to revise show more brain engagement than writers who skip AI entirely. AI revision is not a shortcut. It is a workout. You evaluate every suggestion. You accept some and reject others. Every decision strengthens your judgment.
The key is that you wrote the first version. You own the ideas, the structure, the voice. AI then shows you alternatives. Maybe it tightens a sentence you were not sure about. Maybe it suggests a word you like better than yours. Maybe it rewrites something and you realize you preferred your original. All three outcomes make you a better writer.
This is why tools that show you individual changes as diffs matter more than tools that rewrite entire paragraphs. When you see each change separately, you practice judgment on each one. When you see a wall of rewritten text, you accept or reject everything at once. The granular approach builds skill. The bulk approach builds dependence.
9. Accept and Reject Individual Changes to Develop Taste
Taste is the ability to tell good writing from bad. You develop it by making thousands of small decisions. This word or that word. This structure or that structure. Keep this sentence or cut it. Every decision is a data point. Over time, your instincts sharpen.
AI editing gives you more decisions to make per hour than you would encounter on your own. Every suggestion is a fork. Accept or reject. Each choice teaches you something about your own preferences, your voice, your standards. Writers who engage with AI suggestions actively develop taste faster than writers who write alone.
But only if you actually decide. If you click "accept all," you learn nothing. If you read each suggestion, consider it, and choose deliberately, you are training your ear. This is the difference between using AI as a learning tool and using it as a crutch. The tool is the same. The practice is different.
10. Study Good Writing (Read the Masters)
Every writing teacher says the same thing: read. But they do not mean read casually. They mean read as a writer. Notice how the sentence is built. Notice what the author left out. Notice the rhythm - short sentence, long sentence, short sentence.
Read Orwell for clarity and honesty. Read Klinkenborg for precision and brevity. Read Zinsser for warmth and simplicity. Read Lamott for courage and permission. Each teaches something different. Together they cover nearly everything a writer needs to know about craft.
If you want a condensed version, we compiled 30 writing tips from all four authors that captures their essential principles. But reading the original books is better. The tips are the skeleton. The books are the muscle.
The Right Way to Use AI for Writing Improvement
The pattern across all ten tips is the same. Do the work first. Use AI second. Write the messy draft. Read it aloud. Cut it yourself. Then hand it to AI and see what it suggests. Evaluate every suggestion. Accept the ones that make your writing better. Reject the ones that make it blander.
This is not slower than letting AI generate everything. It is faster in the long run. Every round of writing and revising builds your skill. After six months of this practice, your first drafts will need less revision. Your instincts will be sharper. You will spot weak sentences before AI does.
Writers who use AI as a generator plateau. They get the same quality output every time because the AI does the thinking. Writers who use AI as an editor improve. They get better output over time because they are getting better.
The brain study proves this is not wishful thinking. It is neuroscience. Draft first, AI second, and your brain works harder than if you never used AI at all. That harder work is learning.
The best writers in 2026 will not be the ones who avoided AI. They will be the ones who used it to practice more deliberately than any generation of writers before them. The craft has not changed. Orwell's rules still apply. Klinkenborg's short sentences still work. Zinsser's ruthless cutting still transforms prose. Lamott's permission to write badly still frees you to write at all.
AI just gives you a better training partner. Use it like one.